Monday, May 17, 2010

"Tales of an Ancient Empire" Trailer!

Two of the most influential swords-and-sorcery films when I was growing up were Hawk the Slayer and The Sword and the Sorcerer. They were perfect fodder for my D&D-soaked brain, and Cinemax and HBO showed them with enough frequency that I can still recite parts of them by memory today. And more than a few of my campaigns had a River Shale, too. Last year, I mentioned that sequels were in the works for both films, and now we've got an honest-to-goodness trailer for Tales of an Ancient Empire, the long-awaited sequel to The Sword and the Sorcerer!


Kevin Sorbo! Vampires! Decapitations! This could suck (but as vampire-swords-and-sorcery movies go, could it even approach the awfulness of Bloodrayne II?), but it might be a fun ride. Time shall tell.

The "Soft Takeoff" Singularity

Many venerable and excellent games such as Metamorphoses: Alpha, Gamma World, the Morrow Project, and even Twilight: 2000 are set in a post-apocalypic world. So, too, television shows and films such as Arc II, Logan's Run, or Earth II. By definition, these all posit a devastating cataclysm of some sort, usually a war or man-made ecological catastrophe.

In Transhumanist terms, such a devastating war would be termed a singularity. Singularity in this context is a term coined by science fiction author Vernor Vinge, to describe an event in the future beyond which it is impossible to predict anything about society, history, technology, etc. Usually, the term is used in conjunction with the development of artificial intelligence, nanoassembler technology, etc., but a nuclear war would fulfill the definition just as well.

These are what are known as "hard takeoff" singularities. They happen suddenly and jarringly, with little or no warning. You don't know it's coming until you see the radar tracks of the missiles arcing over the polar ice cap, or until the supercomputer announces that "Action will be taken" unless its demands are met...

There is another sort of singularity, however, that I think would make for a spiffy campaign setting for this sort of game. This is the "soft takeoff" singularity. This is the singularity that takes its time coming; it may even be consciously planned as a singularity, but need not be. And it might not necessarily be a move "up".

What brings me to this topic is a re-read of two excellent books from my college days; Phaid the Gambler and Citizen Phaid by Mick Farren. These books are set, as many such books are, an indeterminant number of years in the future, where all knowledge of our modern world is lost, and what high technology there is, is left over from a golden era in the past. There's weather control, but it's out of control, leaving alternating bands of scorching desert and icey wastes. There are androids, and blasters, and the like, but nobody knows how to build them, and precious few remember how to repair them. It's not savagery; there are cars, and trains, and nightclubs. But it's all so very... tired. Civilization is winding down, and everyone can feel it.

But the world they describe is not the result of a war. Rather, it's the tail end of a long, slow decline in human civilization. And what brought about this decline from an apex of technological grandeur? (Highlight to reveal invisotext spoilers) All the best and brightest people left Earth for the stars, and are now only remembered in half-mythological terms as "Lords". Those who were left behind, the second-rate folks who didn't have the drive to innovate and create, gradually lost their knowledge as a result of laziness and complacency as much as anything else. I think this would make an awesome background for a campaign, perhaps focused on restoring human civilization to something approaching its zenith.

Just a thought for those who like post-apocalypic games, but might want to shake up the nature of the apocalypse. I'm thinking Gama World with large, functioning cities, a transportation infrastructure, and the like. Could be neat!